The Truth

Truth, or "God" is an intangible being who exists in the Fullmetal Alchemist universe. Truth oversees everything in the universe, and regulates all Alchemic exchanges in the world. Truth reveals himself when alchemists attempt to "Play God" through attempting Human Transmutation. Seeing Human Transmutation as an unfair exchange according to the equivalent exchange laws of Alchemy, Truth will bring the alchemist into the Gate and forceably take their most valued attribute, or something of value that represents their anticipated relationship to the person they are trying to create, or resurrect. The only way to override the power of god is with the legendary object called a Philosopher's Stone.

Appearance
Truth is unique in appearance because it appears as a white, featureless version of whomever passes through the Gate, therefore can be percieved as shapeless. However, distinguishing features of Truth is that it is pure white, but can also be in possession of items that it took from the Alchemist when they opened the Gate. In Edward's case, Truth appears as a featureless young boy, but later posesses Edward's arm and leg which were paid as an equivalent exchange for seeing Truth, and getting Alphonse's soul back. Truth is essentially, another version of the alchemist who passes through the Gate. In Alphonse's case, Truth possesses his entire body, so that's what his Truth appears as.

Due to this non-specific appearence, When Edward and Alphonse Elric each appeared before the Gate, Truth took on the shape of a young boy and when Izumi Curtis appeared, Truth's shape reflected that of a young woman. It appeared as a vigorous man to Roy Mustang, and when Father entered the Gate, he appeared as Father's original form when he lived in the flask.

Purpose in the Series
Truth initially introduces itself as the being some people call God, the World or the Universe, at first seeming welcoming and jovial to its guests before calling attention to their hubris and opening the Gate, which forces them inside.

Truth's sense of toll payment is often based on cruel irony. Due to Edward Elric opening the gate in an attempt to bring his mother back through human transmutation, Truth is responsible for the taking of Edward's left leg and his brother Alphonse. In this case, the irony was that Edward had to pay the leg he stood on and the only family he recognized as having left. Edward paid his right arm to get Alphonse's soul back, which Truth recognized as an equivalent exchange. Izumi Curtis attempted to bring back her stillborn child through human transmutation, and Truth took some of her internal organs, leaving her incapable of ever becoming pregnant again. An unusual case is Roy Mustang, who was forced to open the gate by Wrath and Pride. Regardless of this conscious decision to not perform human transmutation, Truth still punished him by taking his eyesight. The irony was that he saw a promising future for Amestris if he were to become Fürher. However, in the case of an alchemist who opens the gate willingly, the missing body part or function cannot be alchemically repaired even if the alchemist posesses a Philosopher's Stone. In the case of Izumi, when Hohenheim (essentially a living Philosopher's Stone) shifted her internal organs around to improve her health, he informed her that he could not regenerate the organs that were taken by Truth. In Mustang's case however, he was able to regain his vision by using a Philosopher's Stone, presumably because he did not willingly open the gate and was therefore not guilty of any hubris.

Though Truth appears in Edward's dreams, mocking him, his next true appearance is in Chapter 53, when Edward crosses to the true Gate from inside Gluttony's internal imitation. Truth appears amused that Edward has not come to retrieve anything that he lost on that day four years ago. Interestingly, Truth does not seem to appear before Edward as he discovers Alphonse's Gate and the body that sits before it, but - as the body speaks to him even while its soul is in the mortal plane - it is likely that what Edward sees and speaks to is Truth wearing Alphonse's body just as it wore Ed's limbs, especially since the body is seated in the same manner as Truth whenever it appears.

In Chapter 102, Father discusses the irony behind the works of the 'Truth', who took Ed's way to 'stand by himself' and his 'only family', Al's body so he 'cannot feel the mother's warmth as he craved', Izumi's 'capacity to nurture the seed of life' and, now, with Mustang, coming full circle, 'depriving the man who had a grand vision to save his country of his eyesight, denying him to see what his beloved nation will become'. In Father's view, the Truth is cruel and sadistic, whose only goal is to make people suffer.

In Chapter 107, Truth appears once more before Alphonse once his body and soul are finally reunited. It returns Edward's arm in exchange for Alphonse's soul, and mockingly questions the younger Elric if his brother will return for him and what he'll sacrifice.

In Chapter 108, Truth appears before Father and mocks him for trying to claim the power of God for himself. He then banishes Father to depths of the Gate, where he had presumably come from. Truth also appears before Ed and asks what he'll give up in order to bring back Alphonse. Edward confidently marches to the Gate and declares the loss of his Alchemic powers as his toll. Truth is caught off guard by this and laughs to itself in a pleased and disbelieving manner. He questions Ed about whether or not he is willing to become an "ordinary human" by giving up his power, with Ed responding that the presence or absence of alchemy changes nothing about him. Truth then asks Ed one more time if he is sure about his decision, and Ed tells him that having alchemy is nothing compared to having friends like his. At this, Truth lets out a jubiliant laugh and proclaims that Ed has found the right answer and beaten him. He then fades away along with Ed's gate, rendering Ed unable to use Alchemic powers for the rest of his life.

It would appear that Truth's goal is to discourage humans from treading in God's domain, as it calls Edward a fool when the young boy returns and sacrifices his arm to recover his brother's soul. This vision, however, collides with later encounters with the Truth during the series, in which is implied that the true goal would be to evoke growth and evolving of that alchemist through a "tough experience". Such interpretation can explain some events such as the final talk between the Truth and Father, when it says that the Homunculus hasn't grown and evolved and merely leached out of others and that he "already knows" what he should have done instead. This implies that the Truth's true wish by taking the toll is to teach the Alchemist a '"life lesson", a form of self sacrifice for the sake of others, just as Edward - and, in a way, Mustang, since he only acquired the Philosopher's Stone to restore his sight after compromising himself with rebuilding Ishval - had done.

Trivia

 * The Truth appeared in an extra in volume 18 of the manga where it showed Yoki attempting human transmutation and having his hair taken as a toll.
 * In a late interview with the author, Arakawa said the Truth was somewhat a 'hollow' version of oneself (as a sort of 'internal God', or conscience), a sort of 'negative' of that alchemist, which completed itself with the tolls taken by the alchemist upon seeing the Truth.
 * The Truth shares the same English voice actress as the 2003 anime's version of Wrath, who was also responsible for taking Ed's limbs in that series. In the Japanese version, however, Truth takes on the voice of whoever encounters him with a slight effect added to differentiate, which is more in line to its role as a literal 'part' of whomever it is engaging with.
 * In the English dub, when Ed offers up his alchemy to Truth in order to bring Al back, Truth takes on a legion-like crossover of Ed and Al's voices in its shout of approval in a similar vein to the Japanese version, likely for emphasis of the scene.
 * For some reason, in the 5th Fullmetal Alchemist: Brotherhood Opening "Rain", Winry appears as Truth.
 * The ethereal being of Truth can be connected to the teachings of Theosophy (see Gate Trivia for connection between the Gate and Theosophy) where in Theosophists believe that "religion, philosophy, science, the arts, commerce, philanthropy and among other virtues, lead people closer to "the Absolute". Planets, solar systems, galaxies, and the cosmos itself are regarded as conscious entities, fulfilling their own evolutionary paths. The spiritual units of consciousness in the Universe are the Monads, which may manifest as angels, human beings, or in various other forms. According to Blavatsky, the Monad is the reincarnating unit of the human soul, consisting of the highest of the seven constituent parts of the human soul. All beings, regardless of stature and complexity, are informed by such a Monad." From this, we can assume that, if Hiromu Arakawa intended the gate of truth to be connected to the teachings of Theosophy, then the Truth would be the Monad.
 * This can be justified by the motto of Theosophy, which is "There is no religion higher than Truth". The emblem of Theosophy also depicts the Ouroboros in it; the Homunculi are a reference to this, as they are the children of Father, who by extension came from Truth itself.
 * It is also interesting to note that, in the same topic of Theosophy, they teach of the root races of humanity (of which we are in the fifth, the Aryan race,) where they teach that the Aryans established "The City of the Bridge", which is said to be below the city called Shamballa. This could be where the first theatrical film idea "Conquer of Shamballa" came from. This could also be interconnected with the Theosophic ideas of The Gate of Truth, as Dietlinde Eckhart had to pass through the Gate in the 2005 film in order to get to the supposed Shamballa that was Amestris.
 * One could also make a parallel between the meaning of Truth within FMA and the roll of some deities in myths, such as Hera, the Greek goddess, in myths involving heroes - which are usually sons of her husband, Zeus. Hera is usually a deity considered to be an antagonist, posing all sorts of difficulties to the hero in question, but the utmost trait associated with Hera is the one of Pedagogy, as well as Pacts and her roll in most myths is associated to a sort of "testing" of the hero and his determination. Other deities associated with this symbolic trait are Juno (roman mythology) and Morrigan (Celtic mythology),
 * Another interesting relation with Hera is that of Hera's meaning in Alchemical symbolism, by representing a stage in the Alchemic development, called "Cauda Pavonis" (peacock's tail), set somewhere in the stage of distillation, representing the moment when the alchemist comes to "understand all things for what they truly are". The peacock is also Hera's symbol animal.